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Case Study

Rap Battles, Unreal Worlds, and 8.2K Files

July 3, 2025April 6, 2026

A massive data challenge with 8.2K Sony Venice footage, green screen tracking, and Unreal Engine environments on a deadline. EO Foundation Team used iodyne Pro Data to back up, transfer, and cut footage while still on set — unlocking faster decisions and a more creative shoot.

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Case Study

The heaviest After Effects project ever!

June 26, 2025April 6, 2026

In a workflow experiment, Peter Quinn built a chaotic, multi-layered VFX short with 30+ streams of 4K footage—all in one timeline. The result: his render time was slashed in half thanks to iodyne Pro Data.

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Creator Spotlights

ABOOK Studio: From Data Disasters to Creative Peace of Mind

May 12, 2025April 6, 2026

Taipei-based ABOOK STUDIO chose iodyne Pro Data to protect precious assets and boost post-production efficiency by 50%.

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Case Study

Generative A.I. on the Volume… tamed by Pro Data

March 11, 2025April 6, 2026

WPP’s Creative Tech Apprenticeship partnered with NVIDIA to use generative AI for virtual production at ARRI Stage in London. Employed by NM Productions, iodyne Pro Data served as the backbone for this massive data capture, performing flawlessly under pressure.

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Dean Winkler discussing video art techniques on a couch, surrounded by books, illustrating his creative process with iodyne Pro Data SSDs.
Creator Spotlights

Dean Winkler: Crafting Video Art with Adobe After Effects and iodyne Pro Data

December 5, 2024April 6, 2026

Pioneering video artist Dean Winkler employs iodyne Pro Data SSDs to handle the heavy demands of his ProRes, data-intensive compositions.

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We’ll help you plan
your next project!

Tell us about your current storage setup and the demands of your upcoming project. Our workflow engineers will design a custom Pro Data configuration tailored to your performance needs.

Digital production studio showcase featuring a blue-lit monitor with hands, surrounded by a vibrant, patterned backdrop, emphasizing innovative technology and creative workflows in film production.

EDSON WILLIAMS

LOLA VFX
LOS ANGELES

“We can generate14TB-18TB of data on a long shoot day. We have to spend four hours offloading that data. We shaved that down to an hour or two because of the speed.”

Watch the Customer Story

Two professionals collaborating at a digital workstation, analyzing video footage on multiple monitors, showcasing advanced editing tools and workflows for high-capacity data management in film production.

BEN COLSON

DIGITAL OPERATOR & DIT
LONDON, UK

“Walking off set this evening with a copy of the whole job in the laptop sleeve of my backpack vs a 6-8 disk RAID array was a very welcome change.”

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