The heaviest After Effects project ever!

Join VFX artist Peter Quinn as he reveals how iodyne Pro Data slashed his render time in half in his iPhone to Adobe After Effects workflow.

The speed is bananas!

Known for his surreal shorts, Peter Quinn has collaborated with Hollywood icons like Snoop Dogg, Michael Bublé, and Will Smith. He also creates eye-catching campaigns for brands like Rivian and Stitchfix, and contributes frequently to Adobe’s Instagram channel, showcasing his signature style of multiplying self and objects to create dynamic visuals.

Peter keeps his toolkit simple: he shoots videos on his iPhone and edits them in After Effects. With over a decade of experience and a constantly growing library, he juggles multiple projects at once. For a creator like him, every minute matters. Those fleeting moments of inspiration are priceless. That’s where fast data workflows become essential.

We asked Peter to run a wild experiment to push the limits of his workflow to the limits. Peter crafted a lively 15-20 second short that plays with the notion of time and explores what it would feel like to be looping within a few mili-seconds of it.

In his“Howto Make This Thing” video, Peter dives into:

Shooting green screen on the iPhone and ingesting data seamlessly
Composing with 30+ streams of 4K video on After Effects
Harnessing disc caching on iodyne Pro Data and achieving smooth playback.

Workspace setup featuring multiple external drives, including iodyne Pro Data, alongside a computer and monitor displaying video editing software, emphasizing fast data workflows for video production.

Putting Pro Data to the Test: A Real-World Speed Experiment

To put iodyne Pro Data through its paces, Peter created one of his most complex compositions yet: a 20-second short film packed with green screen layers, fake shadows, motion tracking, and over 30 streams of 4K footage. With multiple assets feeding into After Effects simultaneously, the project pushed the limits of drive performance—exactly the kind of scenario where traditional external storage starts to lag.

In a side-by-side render test, Peter previewed the same After Effects timeline across several drives. A commonly used portable drive took nearly five minutesto complete the preview, while a larger Thunderbolt-based SSD shaved off just under a minute. Even his previously fastest drive clocked in at four minutes. But iodyne Pro Data delivered the preview in two minutes and 22 seconds—cutting render time by half.

This real-world experiment highlights a key insight for creators: when every frame counts, fast, sustained performance isn’t just a luxury—it’s essential.Whether compositing dozens of 4K layers or iterating quickly on a new idea, Pro Data helps creators like Peter stay in the flow, keep pace with inspiration, and deliver work faster.

🥡 Key takeaways

Peter’s workflow relies on smooth tracking, accurate rotoscoping, and multiple layers of high-resolution video.
Drive speed significantly impacts render and preview times in After Effects.
iodyne Pro Data’s 5 GB/s sustained performance enabled faster iterations and a smoother creative process.
For heavy VFX projects, Pro Data transforms the editing timeline from bottleneck to fast lane.
For client projects that require many revisions, quick edits, and fast delivery, real-time processing of large files can shave hours off unbillable time.

🍒 Stay Connected with the Creators Behind the Work

Would you like to see more behind-the-scenes looks at how top Creators are using iodyne Pro Data in the wild? Follow us on Instagramand LinkedInto catch the latest creator spotlights, workflow tips, and future collaborations like this one with Peter Quinn.